The Daily Beasts
For theme projects (like #Kaijuly, #Mocktoberfest, and #SeasonsBeatings—for example),
a new film/show is profiled every day by a different writer.
BELA LUGOSI MEETS A BROOKLYN GORILLA (1952)
G.G. Graham monkeys around with a Martin & Lewis/Abbot & Costello knock-off and finds much to love about this slice of schlock.
ANNA AND THE APOCALYPSE (2017)
Michael Scott talks about ANNA AND THE APOCALYPSE - a romcom, coming-of-age story, Holiday movie, zombie film, and a musical all in one delightful experience.
What We Do In The Shadows (2016—)
Amber R.W. Knapp explores the wide spectrum of sexuality in “What We Do In The Shadows” and how comedy can comfort as those try to find their way.
BLACK SHEEP (2006)
Kiley Fox finds Jonathan King’s 2006 killer sheep film flocking wonderful with its chaotic amalgam of horror tropes, themes, and even sub-genres.
SHAUN OF THE DEAD (2004)
Simon Pegg and Edgar Wright’s zombie comedy explores the comforts and confines of routine.
AN AMERICAN WEREWOLF IN LONDON (1981)
“Have you ever talked to a corpse? It’s boring!” Griffin Dunne’s Undead BFF is the beating heart of the seminal horror comedy film.
PSYCHO BEACH PARTY (2000)
Nichole Goble writes about the film with a little bit of surfing, a little bit of slashing, and a whole lot of sass that kicks sand in the face of gender norms.
THEATRE OF BLOOD (1973)
A terrific film that finds Vincent Price having the time of his life ending the lives of his critics in deliciously Shakespearean fashion.
ADDAMS FAMILY VALUES (1993)
Nicole Agosto looks at the delightfully demented sequel that finds everyone’s favorite family of freaks taking on the true monsters with hilarity and style.
STUDENT BODIES (1981)
1981's STUDENT BODIES was a slasher spoof way ahead of its time...but also unfortunately lacking in some crucial areas, too.
Scooby-Doo! Mystery Incorporated (2010-2013)
Why Scooby-Doo! Mystery Incorporated is the best iteration of the franchise and why it’s perfect Halloween viewing for folks of all ages.
FREAKY (2020)
Director and co-writer Christopher Landon’s big twist isn’t the high concept but the relatable characters found in his hilarious and gory slasher.
THE DEAD DON’T DIE (2019)
Like most unique efforts, Jim Jarmusch’s film may not be for everyone—but it certainly cannot be quickly forgotten.
BEETLEJUICE (1988)
The Burtoniest movie that ever Burtoned, Rafael Ruiz looks at the many delightful ways that BEETLEJUICE remains as hilarious and haunting today as ever.
SLITHER (2006)
James Gunn’s 2006 sci-fi/horror/comedy film combines genetic strands of aliens/zombies/bodyhorror to incredible and hilarious effect.
WNUF HALLOWEEN SPECIAL (2013)
A perfect re-creation of ‘80s aesthetics and experiences add to the humor and the dread found in the analog horror of 2013’s WNUF HALLOWEEN SPECIAL.
Ash vs Evil Dead (2015-2018)
Tiffany Aleman lists some of the best physical comedy found in the hilarious, horrific, and horrifically hilarious Ash vs Evil Dead TV series.
DAFFY DUCK’S QUACKBUSTERS (1988)
Andy Vanderbilt on how this Looney Tunes film—compiling some of the best classic horror themed cartoons, plus two new shorts—is equally hilarious and a loving tribute to the genre.
WHAT WE DO IN THE SHADOWS (2014)
Kevin Sparrow examines how the 2014 vampire mockumentary tackles masculinity while retaining its incredible sense of humor.
THE ADDAMS FAMILY (1991)
1991’s THE ADDAMS FAMILY taught Kiley Fox the real meaning and power of family, especially as a misfit seeking to find her place (and her people) in the world.