Nichole Goble writes about the film with a little bit of surfing, a little bit of slashing, and a whole lot of sass that kicks sand in the face of gender norms.

A terrific film that finds Vincent Price having the time of his life ending the lives of his critics in deliciously Shakespearean fashion.

Nicole Agosto looks at the delightfully demented sequel that finds everyone’s favorite family of freaks taking on the true monsters with hilarity and style.

1981's STUDENT BODIES was a slasher spoof way ahead of its time...but also unfortunately lacking in some crucial areas, too.

Why Scooby-Doo! Mystery Incorporated is the best iteration of the franchise and why it’s perfect Halloween viewing for folks of all ages.

Director and co-writer Christopher Landon’s big twist isn’t the high concept but the relatable characters found in his hilarious and gory slasher.

Like most unique efforts, Jim Jarmusch’s film may not be for everyone—but it certainly cannot be quickly forgotten.

The Burtoniest movie that ever Burtoned, Rafael Ruiz looks at the many delightful ways that BEETLEJUICE remains as hilarious and haunting today as ever.

James Gunn’s 2006 sci-fi/horror/comedy film combines genetic strands of aliens/zombies/bodyhorror to incredible and hilarious effect.

A perfect re-creation of ‘80s aesthetics and experiences add to the humor and the dread found in the analog horror of 2013’s WNUF HALLOWEEN SPECIAL.

Tiffany Aleman lists some of the best physical comedy found in the hilarious, horrific, and horrifically hilarious Ash vs Evil Dead TV series.

Andy Vanderbilt on how this Looney Tunes film—compiling some of the best classic horror themed cartoons, plus two new shorts—is equally hilarious and a loving tribute to the genre.

Kevin Sparrow examines how the 2014 vampire mockumentary tackles masculinity while retaining its incredible sense of humor.

1991’s THE ADDAMS FAMILY taught Kiley Fox the real meaning and power of family, especially as a misfit seeking to find her place (and her people) in the world.

#Mocktoberfest2021 keeps the camera rolling with Natanael Martin looking at the brilliant twists and hilarious turns of Shin'ichirô Ueda's 2017 film. (Spoilers abound: go see this movie already!)

Horror spoof BLOODBATH AT THE HOUSE OF DEATH has haunted Rob Dean for 33 years. He finally confronts this ghost of the past and finds…not much more than hot air.

Aundria talks about finding love in a hopeless place and Michael Matthews’ film rich with gnarly creatures and genuine heart.

Rafael Motamayor revisits 2008’s CLOVERFIELD and explains why a camera-shy Kaiju is so terrifying.

Larry Cohen’s extraordinary Q (1982) brought the winged serpent to New York City. Matt Wedge examines how the tale of the uptown Kaiju ties in with its Aztec roots and religion.

Two films sprung from the same idea, albeit in very different circumstances: GALGAMETH being a forgotten DTV monster flick, and PULGASARI a propaganda Kaiju film made under duress.