A new descent into the otherside offers a few thrills, but not much else.

Harrison Atkins’ deeply engrossing psychological horror movie.

A powerful film that uses ‘80s slashers as a launchpad for exploring deeper themes.

Genre fans are encouraged to seek out the latest from director Yeon Sang-ho as soon as possible.

A Christmastime horror movie shows promise, but often gets in its own way.

Despite some hollow characters, the new film in the franchise delivers some impressive moments of gore and terror.

A strong premise is undone by messy execution by a (still) promising filmmaker.

A genius idea that may have been better as a short instead underwhelms in its current form.

Eli Roth’s latest is a delightful slasher, though suffers from the same pitfalls as its ‘80s predecessors.

Campy delights abound in this terrific indie genre film.

Adjust your tracking…and your expectations.

Righting wrongs while hideously deformed and hilariously demented.

A brilliant premise gets a lackluster film.

The badass teen returns to stomp some more Nazis’ asses.

Brandon Cronenberg’s latest is an effective dose of cinematic intensity.

A good movie that could’ve been great, the X prequel boasts an amazing performance by Mia Goth.

Writer/Director Zach Cregger’s comedy background fuels a terrific horror film full of delightful shocks.

Inventive and entertaining cosmic horror that is sadly undercut by a bad structural choice.

While the family-made HELLBENDER is fueled by clever ideas and lots of heart, limitations and poor executions deplete most of its strengths.

CUTTER is a very effective horror short film whose minor technical flaws are greatly overshadowed by powerful insight, compelling storytelling, and impressive F/X.