One of Godzilla’s (many) endings finds poignancy amidst the kaiju clashing.

A revamped Gamera brings a new era and attitude to the Tokusatsu franchise.

Humanity shines amidst the devastation in Takashi Yamazaki’s film.

The original GOJIRA remains a haunting masterpiece.

The Americanized version of the original GODZILLA is still impressive 70 years later.

The end of the Heisei era brings about one of the most impressive and enduring GODZILLA films to date.

The closing Godzilla film of the Shôwa era is an equal mix of darkness and goofiness.

A crazy kaiju slobberknocker that features some weird ass creatures, Russ Tamblyn, and a surprising amount of heart.

An oft-overlooked (and downright disparaged) kaiju film gets its due.

A delirious film that lampoons as much as it loves the kaiju genre.

The fourth entry furthers the series’ greatness with its own splash of the bizarre.

The underdog team of baseball ne’er-do-wells goes international in this disappointing sequel.

Fred Dekker’s third entry in the series has so much promise, but mistakes were made. But hey, Kiley wrote a poem about it—so it all works out!

Kiley Fox reveals how GAMERA VS. GYAOS’ giant flying space turtle of death that is a friend to children everywhere is closely linked to classic Asian folklore.